Monday, April 28, 2008

Los Angeles Gentlemen Club Glory Hole

Massacres. 12 August 1944 Sant'Anna di Stazzema


Title: Massacres. 12 August 1944 Sant'Anna di Stazzema
dramatic adaptation, design and director: Carlo Ferrari
By: Emanuele Arata, Michael Stars, Peter Bertora, Erika Borella, Andrea Costa, David Findardi, Nicola Savani, Agnes Scott, Franca Tragni
Production: Teatroperunpò
Rating: **** 4 stars


The massacre of Sant'Anna di Stazzema scored one of his most 'black in recent history and the celebrations of the XXV Aprile in the city have had several opportunities to make memories. After the show, Elizabeth Salvatori, Sunday at Canal Park is the setting up staged slaughters. 12 August 1944 Sant'Anna di Stazzema, edited and designed by Carlo Ferrari, with the close-knit group of players in this Teatroperunpò reported those facts, those people, those places and judicial proceedings. The event, produced by Theatre Projects and the District of San Leonardo and support Conad Cronos, a collective moment of emotion, reflection and information, detailed historical documentation of a strong and touching personal story crosses the 560 victims of the brutal history world. Around the white and thin cross hoisted at center stage, the symbol St. Anne, the purity of civilians dead, the solitude in which long have been left, the actors enter and exit from all directions, with precise rhythm and tight, arranging themselves in rows, exposing themselves or in pairs, filling the space with looks , gestures and movements in their essentials intense, dry and fast as orders, such as machine guns, like bullets. Everyone to say their story, to remember the numbers and the atrocities, without becoming the Bruna, without interpreting the Evelina, or Ennio Corporal SS interrogated at Nuremberg. Each protagonist of his death or his own salvation, each plot of the story, that consumed the narrow streets of the town, that misrepresented for decades, the celebrated in court only in 2004 (with the life sentences for the SS and fascist collaborators who were stain you these horrendous crimes, all now more than eighty years old). With a dark look but objective, painful but never pity, the Teatroperunpò offers the public a valuable opportunity to learn more about themselves, about who has been in August 1944, victims or murderers, in black shirts or rags, masked or charred. We should also mention the exit, next year, the film Miracle at St. Anna, directed by Spike Lee and based on the book of the same name by James McBride: the encounter between an African American soldier and a child survived, against the backdrop of the horrible Nazi-fascist massacre.

Masterbation With Banana

shuffling under the plane trees

Title: Shuffling under the plane trees
Written, directed and performed by: Elizabeth Salvatori
Music: Matthew Ceramelli (violin)
And with the participation of: Ennio Mancini
Rating: **** (4 stars)


Those who visit the small town Versilia Sant'Anna di Stazzema there is a great silence, no quiet, but an unreal atmosphere, sacred. Going up the winding road, just arrived encountered a large square, named after Anna Pardini, one of the hundred children that the country has increased. On the hill a little further on there is the shrine-ossuary that the few surviving inhabitants have erected in memory of the victims, each donating one third of the allowance receipt of war in the late '40s. The story that Elizabeth Salvatori has woven around one of the most massive and brutal massacres perpetrated by the Nazis against the Italian civilians begins with a description of the place, the people of St. Anne, a paesucolo mountain perched at the base of the Apuan Alps, which during the war received about a thousand displaced persons and of battles and weapons had not yet heard the clamor. The Salvatori rebuilt in the show-narrative patter under the plane trees ", hosted by Teatro Baratta Medesano part of the celebrations of the provincial XXV Aprile, the tragic story of the Nazi massacre of 560 people, creating both a touching and luminous fresco country and its people, traditions, daily chores, children playing under the plane trees in front of the church ... until the fateful morning of August 12, 1944, when nothing was left alive at St. Anna, not even an animal. It survived only ones left in the bodies of others, or fled before the arrival of the columns of SS. Notes on folk performed live on stage with an intense and delicate violin Matthew Ceramelli, the public sees and hears Sant'Anna, met Aspasia, Irma, Ida, women, mothers, children and old remained in and the country fell under Nazi violence a tragic morning in August, with the Americans stop in Pisa and the partisans in the mountains. At the end of the show testimony glossy, graceful, important Ennio Mancini, one of the few survivors, added to the memory and emotion indignation at the legal proceedings that have seen the terrible responsibility recognized Nazi and fascist in 2004 alone. The show will be at the Aurora Theatre Langhirano May 14, in matinee for schools and 21 for the public.

How To Open Mswmm With Another Porogram

THE PALESTINIAN NATIONAL THEATRE A Inteatro - Polverigi



HERE WHO ENGAGED IN THESE DAYS OF THE RADIANT GUEST HOUSE NAPPI Inteatro in Polverigi. STARS IN THE FILM 'THE BAND' ITALIAN CINEMA TODAY ALREADY 'PAST FOR CANNES, will soon be a new film On the Palestinian Authority. MEANWHILE IS TRAINING WITH GABRIELE VACIS PALESTINIAN AND OTHER ACTORS WAITING FOR A RETURN WITH EAST JERUSALEM AND REALIZE THEIR 30 CHILDREN AND A SPECIAL Hamlet.
VISITING THE LINK BELOW TO GET A blog with an interesting article dedicated to him ...
http://lisagoldman.net/2008/02/22/prime-time-palestinians/

Sunday, April 13, 2008

How Long Staph Infection

I AM WITH CHILDBIRTH IS WITH THAT OF PETER WHO IS NOT WITH CONDONNATI, investigated, SEX WITH PRESCRIBED

April 11, 2008, from the blog of Marco Travaglio
With Di Pietro, to make the damper


Two years ago I voted for Italy of Values, mainly because my candidate Piedmont Franca Rame, extraordinary person that I am happy to have contributed to send to the Senate. I guess I'll be back once again to vote for the party of Antonio Di Pietro, which among other things white or convicted or under investigation.

know the objections of critics: the management of the house and personalistic party, from which many have fallen away, the fall in style to take the party to rent a home in a building owned by the Di Pietro's candidacy characters as Sergio De Gregorio and Federica Rossi Gasparrini, promptly released after a few months dall'Idv election, the membership of Peter, as minister of infrastructure, the project of the TAV in Val Susa for the goods (even talking to the people and discussing a possible new route, an alternative to the infamous "hole" from 54 km to Venaus), the decision not to close the Strait of Messina company, despite the opposition emphasized during the bridge project, the rejection of the parliamentary committee of inquiry into the facts of the G8 (in my sacrosanct, because parliamentary committees in Italy serve to muddy the waters and hinder the investigation of the judiciary, but clumsily motivated with a request to investigate also the violence of the black bloc, though the parliament had to deal with crimes of ordinary citizens).

To be clear: much more willingly would vote for a De Gasperi, Einaudi, or revived. But, waiting for someone reborn like that and be able to enter politics, I think the abstention - which have long been tried - end up playing into the hands of caste, even the clan. The non-voting, although massive, is not held in low regard by party politics: even if voters were three in all, the parties shall divide them in proportion to determine winners and losers. And never mind the absent are always wrong in the end. So I think we should be realistic, not voting the "lesser evil", but what you feel less distant from their own desires.

to convince me to vote for the IDV are lists that made Di Pietro, home to many people of value, some of them are my friends, of Micromega girotondi and of those who fought in these battles for the year law and freedom of information. I will mention a few. There
Beppe Giulietti, leader of the association Article 21 against censorship and purge, then downloaded from the Democratic Party that he preferred even Marco Follini, former secretary of the UDC and the former deputy of Berlusconi, as head of Information: that Follini who voted for all the shameful laws, including the Gasparri which is the main obstacle to freedom of information. There
Pancho Pardi, I met the first time Palavobis, then all girotondi and I hope to meet again when - if, as I fear, rivincerà Berlusconi - we'll get back to the streets. There
Baroness Teresa Cordopatri, symbol of the fight against the 'Ndrangheta in Calabria.
There is, in Naples, a mayor anticamorra as Franco Barbato, who has played in the draft national civic list along with many other friends. There
Leoluca Orlando, who as a mafia are unparalleled.
There are, on the other hand, some questionable characters who had approached all'Idv, and which were dismissed or not re-nominated. And then there would also Beppe Lumia and Nando Dalla Chiesa, which Di Pietro had offered a place in his list in Sicily after the ouster of (the former provisional in the final seconds) than those of Pd, in contrast, host factors such as Mirella Crisafulli, a friend of the boss of Enna: in the end, thanks all'Idv, Lumia is returned to the Democratic Party, while Nando's respectably decided to decline the offer.

And then there's Peter who, despite all his faults, knew how to pronounce - as a minister and party leader - a series of "no" very heavy against the shame of the center-left. No oversized all'indulto-saving Previti, crafty-saving, save-saves-gangsters and corrupt. No State secrecy and the use of the consultation on the abduction of Abu Omar in Milan against judges. No creeping to the decriminalization of bankruptcy attempted by some cunning minister. No attacks against Forleo and De Magistris. No rescue of the House Previti (IDV Belisario deputy for a year and a half, it was only with the PDCI to demand the expulsion of the affected Berlusconi, while the others were doing the fish in a barrel). No rescue of D'Alema and Latorre by the junta for permission to proceed with the House (there hath been given the Palomba DiPietro to authorize wiretaps Unipol-Antonveneta-RCS, no ifs, ands or buts). No all'inciucio tubs on the counter of the judiciary and all other filth of the so-called Minister of Justice ceppalonic. No all'inciucio in constitutional affairs committee for the law-scam Franceschini and Violante on conflict of interest (again, only with the PDCI and the then Licandro Giulietti Democrats have taken the hit with IDV). No limitation of the wiretaps and no - after an initial hesitation in the House - the law-gag Mastella & C. against the publication of wiretapping and other acts of investigation until the trial. No increase in public funding of political parties and the attempted coup in that way by the treasurers of all political parties (except IDV, Silvana Mura, and Rose in the Fist, Fabrizio Turkish). No paragraph Fuda assured that the requirement for public officials under investigation by the Court for breaches of accounting.

As Minister of Infrastructure, then, Di Pietro has reclaimed what it was before the summit lombrosario Anas, chasing the accused and condemned and denounced those responsible for some shortfalls. Rationalized the myriad Pharaonic projects inherited from Lunardi, concentrating scarce resources on some works are really necessary. And, during the election campaign, was the only one to say that papal papal Rete 4 should go on TV and you have to immediately apply the ruling of the European Court of Justice in Luxembourg that, by declaring unlawful the extension granted to Mediaset in 1999, depriving nine years by Francesco Di Stefano Europa 7 the frequencies needed to transmit.

Last but not least, is that Berlusconi will win both PDL and PD come to balance and maybe try a nice governissimo of large cartels, I hope it gets to parliament a patrol of sappers able to oppose with firmness and skill on two crucial issues, freedom of information and equal justice for all. Of people so there was also in PD, but has been scientifically eliminated with a kind of ethnic cleansing. Let us remember what happened in 2001 when the IDV lacked a quorum for a breath: the only real opposition to Berlusconi's regime was not in parliament (except for stray dogs from the Church and De Zulueta, now disappeared from the lists) but in the square. If you come into parliament this time Di Pietro, Orlando, Pardi, Giulietti, Cordopatri, Walls and a few others like them, it's better for everyone.

(From MicroMega No. 2 / 2008, on sale from March 25, 2008) The public

Monday, April 7, 2008

Letters For Wedding Witnesses

LUTTAZZI

grows, changes, and he remains the same. Daniele Luttazzi, irreverent and caustic comedian Romagnolo of speech that has pushed its flag, climbs over the years without apparent effort, governments, the complaints, manufacturers, passing with ease from television studios, the theatrical scenes, the printed page. On him to continue to update the progress of his surreal and controversial show dedicated to sexuality, Luttazzi replies: "The generations change. The boys who were minors five years ago now have eighteen and can finally enjoy this monologue teaching introductory and liberating. "Luttazzi Sex" or "Everything you never wanted to know sex but your parents have wanted to tell you at all costs ", now in its fourth edition, will be onstage at the Cinema Theatre Forum Sant'Ilario (RE) on Wednesday 9 to 21.00, and the evening promises a two-hour show with no brakes without inhibitions and censorship. A moment of education, information, especially of rice and cynicism, in which modesty and shame are banished: the comic graduated in medicine (for real) investigates, responds, clarifying many notions, concepts and practices which in some cases s 'ignores or pretends to ignore their existence. After the last ostracism television, which saw a net lit, but still supported, as La7 stop the airing of his transmission as early as the second episode (case declared vulgarity), Luttazzi continues its mission: shock, demonstrating that freedom of speech and thought are not political abstractions, but any action that requires consistency, courage. His imaginary sick, slaves of carnal pleasures, or perhaps free to abandon them, illuminate everyday life, like ours, not only influenced by sexuality in the more extreme manifestations but also in those seemingly innocent, subtly allusive, foolishly hypocritical.

Thursday, April 3, 2008

Baby Taking Bathcomments

FROM MONDAY ' RESOLUTION REACHED A NEW LIFE!

friends Monday LIVE AT THE BEACH. One of my life resolutions was reached, perhaps not exactly the most 'important (I think it's SILENT A PRIORITY ') but in any case a bell'obbiettivo. I expect you all on the Conero Riviera, HO GIA 'A CHAIR WITH A FLOATING GATE Diplast GREEN BEER (OR COCA COLA LIGHT) ON AN ARM THAT is waiting to be inaugurated in CALDOE calm Adriatic Sea.
(I will be ineffective in about 15 km from the sea, but it is equally risultatonotevole)

Wednesday, April 2, 2008

What Does The Prayer Of Elizabeth Bathory Meam

HONOR THE SUBSTANCE OF A MAN FOR WOMEN LOVE HELLO GOODBYE

In Italy the provisions on the honor killings were repealed only in 1981. A concept rooted patriarchal and male from which our country is struggling to break free. Arises from reflection on the status of women in rural society of the South Italian and Muslim at which stage the valuable work Saverio La Ruina won the Premio Ubu 2007 as best actor and best new show: Dissonorata will be staged at the Theatre Ragazzola Saturday, April 5 at 21.15, with free admission as part of the events at the Festival of Human Rights. "Reading the news stories of Muslim women found many similarities with the rules, the conduct of the Calabrian society a few decades ago. The head is covered, the clothes worn in mourning for a life of violence are common elements between the Middle East and Mediterranean. Often one considers the Islamic society like our Middle Ages, but it is a situation that concerns us, in time and space. We live in a globalized world, where often those around us has a different culture is important to know our past to look with the right eye, knowing the other clubs. I wanted to make a spectacular about a Muslim woman and a Calabrian then writing has been only the second, because the reference to Islam and any other male-dominated society remains strong and immediate. " The author, artist and director of the show is a man that is going on through the choking voice of the women who brings to the stage: "I wear a abituccio female monkey but not the woman, do not fall into the grotesque disguise, otherwise diminish the tragedy. The man disappears into the narrative, the male is both the executioner and the one who cries the complaint of the victim. Characters I play women on stage are credible and coexist with the masculine caricature with no effect. "Research on language has been refined and complex:" We have worked on women's issues, and those on the popular music of the narrative, thanks to the harmonizing notes Gianfranco De Franco. The Calabrian dialect reinforces the effect, supported by the repetition that we included in the text and from the score sign, and the result is amazing, great understanding. "

Whats Better Anusol Or Preparation H



Who has never been, or has anyone left? The experience of farewell hurts us all closely, in each role that is more congenial, fleeing or "soft". The Little Book of saying goodbye to Luke Ragagnin collects a series of these great moments and it Tragni Carlo and Franca Ferrari, happy theatrical partnership immune to separations, have drawn a cabaret, Farewells love, staged Saturday at 5 to 21 Theatre at the Court of Giarola (free admission), within the consonance of survey items Collecchio. "We have created with these micro-narratives staged way we like it, hit and run," Ferrari says, adding: "legacies in terms of theatrical situations are both great opportunities with small openings that comic drama; this corresponds exactly to our way of doing theater. " There a couple who must marry, but the wedding march fades and their union results in a series of funny jokes, launched to the public as fast whipping "pills lost love, with which it comes out looking more theatrical and pushes the humor of the situation. The real situation of cabaret in the theater has been lost and if they miss. This way of working for us is also a return to basics, when the crime drama staged by Max Aub. Twenty years on stage together are important, and their phases. "We had the desire to return to the cabaret," says Franca Tragni. "In recent years, although anxious to do something very funny happened more than half way the work took a turn wistful, poignant. This time we made an impression cabaret's strongest work. These stories are caustic, not at all unhappy in their hardness; raise a wry smile, but there is no sadness, only the force of irony. We have composed a bizarre sequence of goodbyes that, paradoxically, are very real, reflecting the universal clumsiness and inadequacy that we have to leave someone. "