TITLE: Dora Pronobis
WITH: Antonella This
DIRECTOR: Virginia Martini
Playwright: The Antonella Martini and Virginia
MOVEMENTS: Antonio Bertusi
ASSISTANT DIRECTOR: Sabine Bordigoni
SCENIC AREA: Virginia Martini, and Antonio R. Bertusi Del Prete
IN COLLABORATION WITH Blanca Teatro
PRODUCTION: Q - Prod
RATING: 3 stars ***
A day without laughter is a day wasted. The Departments of Culture and the Equal Opportunities Collecchio see it that way of life. And it seems the way they live, organized by four years of Consonanza Voices, a series of comedy to the Theatre at the Court of Giarola, in collaboration with Theater Projects &. A tribute to the people, the opportunity to meet people of humor has made its scenic art, an existential condition. To exercise the right to first and the duty to laugh Antonella This was the Tuscan, with its successful catholic alter-ego Dora Ricci. Dora Pronobis is a monologue devoted to holiness, bigoted and surreal as only some manage to be perpetually frustrated, cynical and intelligent way granted by reflection on the role of women in the Catholic Church. The dramatic texture weaves the serious and the humorous, the stage with the real paradox, bringing out the size comic, contradiction, and therefore the humor behind some dogmas and ecclesiastical canons. Principles and rules that mark the lives of the faithful, a function of social control rather than spiritual guidance. The life of aspiring young altar boys Dora, the amusing incidents of his teenage years, clashes with the pastor, his work at Radio Pagnana True, his unrequited love for Pine, his calling to the bishopric are interspersed with parts of the last two encyclicals written by popes. With lightness and irony, caustic jokes but determined. You ride with Dora, not only when it is owned by the Antichrist that makes you dance lapdance, especially when the Beguine, immersed up to the starch in the collar character, confesses his thoughts to impart lessons of tolerance or pseudo para sex education to their faithful listeners. And the pubis (de oro) acquires new dignity language, as well as the point g (oung) and auto-eroticism as sexual practice by machine. Make full use of vocal timbres, the dialect and a remarkable ability to interpret, dealing with a little 'less agile the scene and its furnishings, while maintaining a comic rhythm almost always supported the work done by the character on this has found an effective way to strike the system from within.
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