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HONOR THE SUBSTANCE OF A MAN FOR WOMEN LOVE HELLO GOODBYE

In Italy the provisions on the honor killings were repealed only in 1981. A concept rooted patriarchal and male from which our country is struggling to break free. Arises from reflection on the status of women in rural society of the South Italian and Muslim at which stage the valuable work Saverio La Ruina won the Premio Ubu 2007 as best actor and best new show: Dissonorata will be staged at the Theatre Ragazzola Saturday, April 5 at 21.15, with free admission as part of the events at the Festival of Human Rights. "Reading the news stories of Muslim women found many similarities with the rules, the conduct of the Calabrian society a few decades ago. The head is covered, the clothes worn in mourning for a life of violence are common elements between the Middle East and Mediterranean. Often one considers the Islamic society like our Middle Ages, but it is a situation that concerns us, in time and space. We live in a globalized world, where often those around us has a different culture is important to know our past to look with the right eye, knowing the other clubs. I wanted to make a spectacular about a Muslim woman and a Calabrian then writing has been only the second, because the reference to Islam and any other male-dominated society remains strong and immediate. " The author, artist and director of the show is a man that is going on through the choking voice of the women who brings to the stage: "I wear a abituccio female monkey but not the woman, do not fall into the grotesque disguise, otherwise diminish the tragedy. The man disappears into the narrative, the male is both the executioner and the one who cries the complaint of the victim. Characters I play women on stage are credible and coexist with the masculine caricature with no effect. "Research on language has been refined and complex:" We have worked on women's issues, and those on the popular music of the narrative, thanks to the harmonizing notes Gianfranco De Franco. The Calabrian dialect reinforces the effect, supported by the repetition that we included in the text and from the score sign, and the result is amazing, great understanding. "

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Who has never been, or has anyone left? The experience of farewell hurts us all closely, in each role that is more congenial, fleeing or "soft". The Little Book of saying goodbye to Luke Ragagnin collects a series of these great moments and it Tragni Carlo and Franca Ferrari, happy theatrical partnership immune to separations, have drawn a cabaret, Farewells love, staged Saturday at 5 to 21 Theatre at the Court of Giarola (free admission), within the consonance of survey items Collecchio. "We have created with these micro-narratives staged way we like it, hit and run," Ferrari says, adding: "legacies in terms of theatrical situations are both great opportunities with small openings that comic drama; this corresponds exactly to our way of doing theater. " There a couple who must marry, but the wedding march fades and their union results in a series of funny jokes, launched to the public as fast whipping "pills lost love, with which it comes out looking more theatrical and pushes the humor of the situation. The real situation of cabaret in the theater has been lost and if they miss. This way of working for us is also a return to basics, when the crime drama staged by Max Aub. Twenty years on stage together are important, and their phases. "We had the desire to return to the cabaret," says Franca Tragni. "In recent years, although anxious to do something very funny happened more than half way the work took a turn wistful, poignant. This time we made an impression cabaret's strongest work. These stories are caustic, not at all unhappy in their hardness; raise a wry smile, but there is no sadness, only the force of irony. We have composed a bizarre sequence of goodbyes that, paradoxically, are very real, reflecting the universal clumsiness and inadequacy that we have to leave someone. "

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HOLY LAUGHTER

TITLE: Dora Pronobis
WITH: Antonella This
DIRECTOR: Virginia Martini
Playwright: The Antonella Martini and Virginia
MOVEMENTS: Antonio Bertusi
ASSISTANT DIRECTOR: Sabine Bordigoni
SCENIC AREA: Virginia Martini, and Antonio R. Bertusi Del Prete
IN COLLABORATION WITH Blanca Teatro
PRODUCTION: Q - Prod
RATING: 3 stars ***

A day without laughter is a day wasted. The Departments of Culture and the Equal Opportunities Collecchio see it that way of life. And it seems the way they live, organized by four years of Consonanza Voices, a series of comedy to the Theatre at the Court of Giarola, in collaboration with Theater Projects &. A tribute to the people, the opportunity to meet people of humor has made its scenic art, an existential condition. To exercise the right to first and the duty to laugh Antonella This was the Tuscan, with its successful catholic alter-ego Dora Ricci. Dora Pronobis is a monologue devoted to holiness, bigoted and surreal as only some manage to be perpetually frustrated, cynical and intelligent way granted by reflection on the role of women in the Catholic Church. The dramatic texture weaves the serious and the humorous, the stage with the real paradox, bringing out the size comic, contradiction, and therefore the humor behind some dogmas and ecclesiastical canons. Principles and rules that mark the lives of the faithful, a function of social control rather than spiritual guidance. The life of aspiring young altar boys Dora, the amusing incidents of his teenage years, clashes with the pastor, his work at Radio Pagnana True, his unrequited love for Pine, his calling to the bishopric are interspersed with parts of the last two encyclicals written by popes. With lightness and irony, caustic jokes but determined. You ride with Dora, not only when it is owned by the Antichrist that makes you dance lapdance, especially when the Beguine, immersed up to the starch in the collar character, confesses his thoughts to impart lessons of tolerance or pseudo para sex education to their faithful listeners. And the pubis (de oro) acquires new dignity language, as well as the point g (oung) and auto-eroticism as sexual practice by machine. Make full use of vocal timbres, the dialect and a remarkable ability to interpret, dealing with a little 'less agile the scene and its furnishings, while maintaining a comic rhythm almost always supported the work done by the character on this has found an effective way to strike the system from within.