Saturday, February 7, 2009

I Gag With A Little Blood When I Brush My Tongue

The "dark period" of the painter Angelo Marchetti

From the first article (published in this blog on January 2 us), we clearly understood the strong sense of faith Angelo Marchetti religious man-artist, always looking as a man, while conscious of never reaching the "wisdom", but persistent in seeking the meaning of Grace Consapevolezza.Come the artist with his "canvases", which are then its translation of ideas, his personal way of wanting to communicate the emotions and mental states, adding that only after the communication, it should be given a very special meaning, Angelo Marchetti artist, knows how to use the image as a code of communication, conscious that the rules are subjective but not arbitrary interpretabili.Chi confronts these works of art resonates with this "half -through "of expressive communication, does not exempt dall'innescare their mental processes that lead to emotions, the enjoyment or discomfort in the inner state of serenity to the worries.
Dall'apocrifo to Didymus Judas Thomas, § 2 Jesus said, "He who seeks not desist from seeking until he finds and when it will be moved and surprised than you, and so moved will consider and rule on it. "In the words of Angelo Marchetti" ... so I can say in all conscience, to seek, to look at continuity. Why are only leaning toward this. ... "As this continues for
Angelo was intense and profound, as well as the mirror has scrutinized the "dark" in order to better understand the Light, but in this "dark" Angelo Marchetti for a long time we have traveled ... By creating a series of works he called himself "the dark period "or" black operations. "In this volume of collection for those who frequently enter into works of art proposed here will be continually solicited by anxiety, in some cases internally instilled by picture after picture, as in other strong blaze, will not try to escape from the hardships and internal unrest, but is careful observation of the work, when read to the end, may perceive the liberating message, that the soul is stripped from the heavy burden of the body, some times deformed wanted to highlight even more the intrinsic human imperfection. Looking at the works of net metaphysical understanding and surreal, the look can not fail to settle passionate about figures of bodies capable of transmitting distressing sensations, while all of the stroke as if to generate strong strong pain on canvas, creating and shaping the surreal atmosphere of the dream. This type of work, long in reading, but never heavy in their concern for free or sickly that, beyond the significance that you are inside, they can lead the viewer by the hand, offering moments of intense, dark, but exciting, time to lighten both the environment with the power line and then recur throughout the stroke with very thick, and this is where the message if received segno.Indubbiamente runs represented the suffering here is expressed at 360 degrees, but no pain Free, but a redemptive suffering or who has been enlightened by the grace dell'appercepire ², the inhuman suffering that accompanies the effort to understand first, then the pain reached the liberating truth, and here's the Light; synderesis emerge, increased tendency and the natural disposition to goodness and knowledge of that property. Overall certainly appreciate the dramatic intensity and depth of the message shown up more land, but also, from another angle, the uncommon ability to mix different tones and dynamics of the various instrumental parts that make up the finished work. Yeah, only after having addressed a few images, common sense and discernment become very hazy and vague concepts, but only the instrument of Angel-art moves well in this space thus giving a seemingly Do not argue, but precise touch.

http://www.angelomarchetti.it/

Wednesday, January 14, 2009

Tv Cenrer Seriové číslo

Adele Negroni, potter's lightness of being ...


Adele was born in Milan in June of '59, graduated in sociology at the University of Urbino "Carlo Bo", Parallel to the studies he cultivated his passion for art and nourishes as self-taught artist, aided by his happy hand in graphics, but began in 1992 with the attending his first course of ceramic painting called a "third firing". The next two years, following a course of modeling clay, but its size is artistic self-expression after turn Raku technique, which has brought to perfection by following a training course in 1996.
In seeking new experiences and sensations to be transmitted, experiments with new techniques in handling clay, following a course of working on a lathe in the manual 1998.Ceramista versatile, where his research leads in the form of silent communication, Adele passes notes, capture, annota.Ho received an intimate and exalted melancholy in 'Three-dimensional expression of the building, but even stronger this feeling is felt immediately in the artistic decoration, where its sensitivity as a woman, gently points out that mystery without time or solution is the beauty, pain, hunger and thirst for life to live ... It reveals large
creative use of chrome pigments and oxides, composer without continuity solution with delicate and exciting visual surveys, where the easy and immediate message is perceptible in the metaphysical melancholy, witty and sharp plastic compositions.
The footprint is very personal and recognizable brand well clear of sensual melancholy, ethereal, which gives a realistic feeling of tranquility to those who stop to observe its work.

Friday, January 2, 2009

Dvr Triplex /pentaplex

painter, sculptor and engraver Angelo Marchetti (1930-2000)

Discover the art of a painter - the identification of his "Mystic -
Angelo Marchetti was an artist who, by choice, has left the circuit" art "at the end of year 70, in fact disappearing from the market, both tormented vicissitudes of existence and for the voluntary choice to alienate completely (as a form of cultural rebellion to rules set by the market), at the cost of abandoning forgotten your success as an artist. But At the same time, he never stopped producing art, reserving it only in part to a small circle of collectors and the remainder for personal research, and luce.Nel hours resurfaced to make this publication until now never exhibited works, some from private collections, it wants to resubmit the artist for his expressive value and replace it with more fully in the global contemporary art, and for this purpose , we have decided to speak directly to the artist, in a kind of self-presentation, revealing a paper that was used by Angel as a personal note, during a prime time for the inauguration of an exhibition at the gallery ' Art "The Crypt", active in Milan until the early 80s.
"Angelo Marchetti, who was born in Milan in 1930, I have always painted and sculpted. I went for a short the creative period without agreement on the school curriculum. I considered the masters of the past entrusted to my intuition, I tried to listen and learn from those who, at the time in which I lived, I felt good to be clarified. I was estranged from the so-called culture, understood as "culture factory", but I always tried to listen to the words of the masters of life and then develop in my underwear, their teachings, to translate my feelings into action to the extreme . I became aware of my limits, though often falling in presumptions, after trying to resize my position as a man. The daily encounter with life, made me think about the choice of my reality more real, I mean the choice quite distinct from that apparent reality built by all the distractions moved from my property personalistic and cerebral, but the inner reality that I could pick only in silence and in the abstraction of myself. That reality is not palpable, but has the opportunity to be heard is confirmed in the eyes of leverage that is done in themselves. The certainty of what I say I can not prove it by my works, although it be not that molecules of my feelings. I can therefore say with a clear conscience, to seek, to look at continuity. Because only are leaning towards this. I only know one thing as all men are called, but at the same time not I worry about being elected. Witness my work and the only one who makes me feel like being an act of love only to Him and I have to pay as a docile fiber of the universe. "
Angelo, the artist who believed that in addition to the power of images, very in the esoteric message of his paintings, which is why it is difficult to explain what is hidden inside a work, if you do not previously know the intimate religious Angelo artist and his evolution as a man dedicated to the art, and his rejection of the conventional rules even at the cost of obscuring the invisible message contained in his paintings, in favor of his representative capacity of the image. If it is likely that the unseen is important as the appearance of representation, to enter the room of this hidden beauty is the curiosity of a mind that creates the message, which is only felt from the look of a careful observer with "grace." Angelo Marchetti shared so visceral as to substance is said by St. Augustine - the man without grace is a beast - and then look around the canvas, not between the lines of his written works, is like entering a vicious cycle of those who want to understand, here is to understand the esoteric , outsiders are excluded and only those who can understand it, has already begun, began looking inward know it. In the example often used correlation Angelo resonance to enter intimately into the work and to read better in its content, we all know from physics, the concept of resonance, a tuning fork vibrating to the sound only if sound is its own frequency, if this does not happen, the sound, the pitch does not exist because it can not perceive it the same way ... every man for himself in perception needs to be able to match - vibrate in unison - and then convey the perception through the resonance. In some works of Angelo Marchetti, this effect is obvious to everyone and is only intended to clarify the principle that the artist wanted to willfully disclose
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